Let's dive into the world of musical theater and explore the fascinating revivals of 'Brigadoon' and 'Flower Drum Song'. These iconic productions, though not the pinnacle of their creators' work, have sparked a renewed interest, and I'm here to unravel why.
The Golden Age Revived
'Brigadoon' and 'Flower Drum Song', despite their age, still hold a special place in the hearts of musical enthusiasts. While they might not be the most celebrated works of Lerner, Loewe, Rodgers, and Hammerstein, their revival showcases a unique aspect of musical storytelling.
Nostalgia or Musical Magic?
I initially thought nostalgia was driving the desire for these makeovers, but after experiencing the shows, I realized it's more than that. It's the enchanting scores that truly captivate and justify their return.
'Brigadoon': A Soaring Revival
'Brigadoon', with its whimsical story and romantic charm, has undergone a remarkable transformation. Playwright Alexandra Silber's adaptation brings a modern twist, especially to the male leads, creating a delightful comic dynamic. The production, led by Katie Spelman, showcases exceptional talent, from the captivating performances to the stunning choreography.
Empowering Female Characters
One of the most notable changes is the empowerment of female characters. Fiona MacLaren, played by Betsy Morgan, challenges chauvinistic assumptions, and Meg Brockie, portrayed by Donna Vivino, is no longer a comedic relief but a formidable presence. Silber's adaptation also introduces Widow Lundie, played by the legendary Tyne Daly, adding a new layer of moral guidance and a gender switch that works beautifully.
The Power of Adaptation
Silber's adaptation deepens the emotional weight of Harry Beaton's character, played by Spencer Davis Milford. This change, though it alters the original narrative, adds a layer of complexity and makes the musical even more compelling.
'Flower Drum Song': A Faltering Revival
'Flower Drum Song', on the other hand, faces a different challenge. David Henry Hwang's second attempt at revising the book, while well-intentioned, struggles to balance its good intentions with the inherent caricatures of musical comedy. The production, a collaboration between East West Players and the Japanese American Cultural and Community Center, aims for authenticity but often falls into familiar stereotypes.
The Challenge of Updating Classics
Hwang's creation of the character Harvard, played by Kenton Chen, attempts to offer a more empowering gay character, but it ultimately relies on outdated cliches. The production, directed by Lily Tung Crystal, showcases talented performers like Grace Yoo and Scott Keiji Takeda, but the overall effect is a struggle between eras.
Final Thoughts
'Brigadoon' soars with its fresh adaptation and exceptional talent, transcending time and offering a magical experience. 'Flower Drum Song', while well-meaning, falters in its attempt to bridge the gap between eras, leaving the audience with a sense of unease. These revivals remind us of the power of musical theater to transport us to different worlds, but they also highlight the challenges of updating classic stories for modern audiences.
Personally, I believe these productions spark important conversations about representation, cultural sensitivities, and the evolution of storytelling. It's a fascinating journey to witness, and I'm excited to see how these classics continue to evolve and resonate with new generations.
